Battal Ebru Brushes These brushes, known as "Battal Ebru Brushes", are meticulously crafted with special handwork. Their most distinctive features are their durability and superior performance in use. The handle is made of beech wood, which does not soften or break when exposed to moisture. This material choice ensures long-lasting use while preserving the brush's shape. The bristles are made of specially selected, hard and durable natural fibers, preventing paint from forming large drops when sprinkled on the water. Instead, the paint is evenly dispersed in small particles, creating perfect patterns on the water's surface. This unique feature of Battal Ebru Brushes provides a significant advantage in creating the aesthetic visuals of Ebru art. These brushes cater to both beginners and professional artists, combining the delicacy of traditional Ebru art with modern craftsmanship. Battal Ebru Brushes elevate artistic creativity with their sturdy structure and aesthetic results, making them an essential tool in Ebru art.

5-Piece Sprinkle Ebru Brush Set (Special) These brushes, known as "Battal Ebru Brushes", are meticulously crafted with special handwork. Their most distinctive features are their durability and superior performance in use. The handle is made of beech wood, which does not soften or break when exposed to moisture. This material choice ensures long-lasting use while preserving the brush's shape. The bristles are made of specially selected, hard and durable natural fibers, preventing paint from forming large drops when sprinkled on the water. Instead, the paint is evenly dispersed in small particles, creating perfect patterns on the water's surface. This unique feature of Battal Ebru Brushes provides a significant advantage in creating the aesthetic visuals of Ebru art. These brushes cater to both beginners and professional artists, combining the delicacy of traditional Ebru art with modern craftsmanship. Battal Ebru Brushes elevate artistic creativity with their sturdy structure and aesthetic results, making them an essential tool in Ebru art.

Alum and Its Use in Ebru Art Alum is an essential material used particularly when decorating fabrics with the Ebru technique. It acts as a binding agent, helping colors adhere better to the fabric. Additionally, it serves as a deodorizing agent during the breakdown of butyric acid and sweat. Ebru Art on Fabric and the Use of Alum Marbling on fabric is a delicate and beautiful art form. However, fabric marbling differs in some aspects from traditional paper marbling. To ensure that colors adhere properly, the fabric must be pre-treated. This is where alum plays a crucial role. For the best results in fabric marbling, synthetic dyes should be used. Various brands on the market cater to this purpose. You can find a selection under the "Fabric Dyes" category on our website. Recommended Fabrics The following fabrics are best suited for Ebru art: Silk Synthetic Silk Satin These fabrics allow the colors to adhere properly and help create long-lasting, vibrant patterns. Preparing the Fabric with an Alum Solution Before marbling, the fabric should be soaked in an alum solution to enhance color adhesion. Here’s how to prepare the solution: Dissolve 100 g of alum in 1 liter of hot water. Soak the fabric in the solution for some time. Remove the fabric and let it dry. Once dry, iron the fabric to prepare it for marbling. Marbling and Final Processing After creating the design on the water surface, carefully place the fabric onto the marbling bath. Once the pattern is transferred, remove the fabric and briefly rinse it in cold water before allowing it to dry. To set the colors, follow these steps: Iron the fabric from the reverse side for about 5 minutes without steam. This process enhances color durability and ensures long-lasting results. Washing and Maintenance Once marbled, the fabric can be washed at temperatures up to 50°C. It is recommended to use mild detergents. Conclusion Using alum in fabric marbling ensures better color adhesion and contributes to the longevity of patterns. With the right technique, marbled fabrics can retain their vibrancy for years.

Alum and Its Use in Ebru Art Alum is an essential material used particularly when decorating fabrics with the Ebru technique. It acts as a binding agent, helping colors adhere better to the fabric. Additionally, it serves as a deodorizing agent during the breakdown of butyric acid and sweat. Ebru Art on Fabric and the Use of Alum Marbling on fabric is a delicate and beautiful art form. However, fabric marbling differs in some aspects from traditional paper marbling. To ensure that colors adhere properly, the fabric must be pre-treated. This is where alum plays a crucial role. For the best results in fabric marbling, synthetic dyes should be used. Various brands on the market cater to this purpose. You can find a selection under the "Fabric Dyes" category on our website. Recommended Fabrics The following fabrics are best suited for Ebru art: Silk Synthetic Silk Satin These fabrics allow the colors to adhere properly and help create long-lasting, vibrant patterns. Preparing the Fabric with an Alum Solution Before marbling, the fabric should be soaked in an alum solution to enhance color adhesion. Here’s how to prepare the solution: Dissolve 100 g of alum in 1 liter of hot water. Soak the fabric in the solution for some time. Remove the fabric and let it dry. Once dry, iron the fabric to prepare it for marbling. Marbling and Final Processing After creating the design on the water surface, carefully place the fabric onto the marbling bath. Once the pattern is transferred, remove the fabric and briefly rinse it in cold water before allowing it to dry. To set the colors, follow these steps: Iron the fabric from the reverse side for about 5 minutes without steam. This process enhances color durability and ensures long-lasting results. Washing and Maintenance Once marbled, the fabric can be washed at temperatures up to 50°C. It is recommended to use mild detergents. Conclusion Using alum in fabric marbling ensures better color adhesion and contributes to the longevity of patterns. With the right technique, marbled fabrics can retain their vibrancy for years.

Alum and Its Use in Ebru Art Alum is an essential material used particularly when decorating fabrics with the Ebru technique. It acts as a binding agent, helping colors adhere better to the fabric. Additionally, it serves as a deodorizing agent during the breakdown of butyric acid and sweat. Ebru Art on Fabric and the Use of Alum Marbling on fabric is a delicate and beautiful art form. However, fabric marbling differs in some aspects from traditional paper marbling. To ensure that colors adhere properly, the fabric must be pre-treated. This is where alum plays a crucial role. For the best results in fabric marbling, synthetic dyes should be used. Various brands on the market cater to this purpose. You can find a selection under the "Fabric Dyes" category on our website. Recommended Fabrics The following fabrics are best suited for Ebru art: Silk Synthetic Silk Satin These fabrics allow the colors to adhere properly and help create long-lasting, vibrant patterns. Preparing the Fabric with an Alum Solution Before marbling, the fabric should be soaked in an alum solution to enhance color adhesion. Here’s how to prepare the solution: Dissolve 100 g of alum in 1 liter of hot water. Soak the fabric in the solution for some time. Remove the fabric and let it dry. Once dry, iron the fabric to prepare it for marbling. Marbling and Final Processing After creating the design on the water surface, carefully place the fabric onto the marbling bath. Once the pattern is transferred, remove the fabric and briefly rinse it in cold water before allowing it to dry. To set the colors, follow these steps: Iron the fabric from the reverse side for about 5 minutes without steam. This process enhances color durability and ensures long-lasting results. Washing and Maintenance Once marbled, the fabric can be washed at temperatures up to 50°C. It is recommended to use mild detergents. Conclusion Using alum in fabric marbling ensures better color adhesion and contributes to the longevity of patterns. With the right technique, marbled fabrics can retain their vibrancy for years.

Seaweed Extract (λ-Carrageenan) – Natural Thickener for Marbling Art Lambda Carrageenan (λ-Carrageenan) is one of the best thickening agents used in marbling (Ebru) art. It does not form a gel and dissolves quickly in both cold and hot water, making it easy to use. Since it does not require heating, it is commonly preferred in instant (ready-to-use) products. When cooled, it does not form helix structures, ensuring a homogeneous consistency. The Importance of Lambda Carrageenan in Marbling Art Thickening agents, such as seaweed extracts or powdered carrageenan, are used in marbling art to increase the viscosity of water. When mixed with water, λ-Carrageenan creates an ideal consistency in the marbling tray, preventing the colors from sinking. This property allows the colors to move freely on the surface, making it easier for artists to shape patterns. Lambda Carrageenan is one of the best thickeners for preparing marbling water and is preferred by professionals. This natural thickener, derived from brown seaweed found in the depths of the ocean, keeps the water clear and enhances the vibrancy of colors. Carrageenan can be stored for up to 30 days under normal temperature and humidity conditions. Lambda Carrageenan Packaging Options Available in different package sizes to meet your needs: 50 g Lambda Carrageenan: Suitable for small-scale and personal projects. 100 g Lambda Carrageenan: Ideal for medium-sized marbling works. 250 g Lambda Carrageenan: Recommended for artists who work with marbling regularly. 500 g Lambda Carrageenan: Suitable for workshops and large-scale production. How to Use Lambda Carrageenan? Since thickening agents come in different types and qualities, the correct proportions may vary by product. λ-Carrageenan dissolves easily in warm or hot water. For example, add 4-5 grams of λ-Carrageenan to 1 liter of water and stir thoroughly until completely dissolved. Letting the mixture rest for a few hours enhances its solubility. This thickener ensures a homogeneous viscosity for marbling water, helping the colors spread more evenly. Marbling water prepared with λ-Carrageenan should be stored in a cool, dark place to prolong its usability. Order & Delivery Lambda Carrageenan remains fresh for a long time if protected from air and moisture. Your order can be delivered to your address within a few days. For the best quality and reliable use, it is recommended to store it under proper conditions.

Seaweed Extract (λ-Carrageenan) – Natural Thickener for Marbling Art Lambda Carrageenan (λ-Carrageenan) is one of the best thickening agents used in marbling (Ebru) art. It does not form a gel and dissolves quickly in both cold and hot water, making it easy to use. Since it does not require heating, it is commonly preferred in instant (ready-to-use) products. When cooled, it does not form helix structures, ensuring a homogeneous consistency. The Importance of Lambda Carrageenan in Marbling Art Thickening agents, such as seaweed extracts or powdered carrageenan, are used in marbling art to increase the viscosity of water. When mixed with water, λ-Carrageenan creates an ideal consistency in the marbling tray, preventing the colors from sinking. This property allows the colors to move freely on the surface, making it easier for artists to shape patterns. Lambda Carrageenan is one of the best thickeners for preparing marbling water and is preferred by professionals. This natural thickener, derived from brown seaweed found in the depths of the ocean, keeps the water clear and enhances the vibrancy of colors. Carrageenan can be stored for up to 30 days under normal temperature and humidity conditions. Lambda Carrageenan Packaging Options Available in different package sizes to meet your needs: 50 g Lambda Carrageenan: Suitable for small-scale and personal projects. 100 g Lambda Carrageenan: Ideal for medium-sized marbling works. 250 g Lambda Carrageenan: Recommended for artists who work with marbling regularly. 500 g Lambda Carrageenan: Suitable for workshops and large-scale production. How to Use Lambda Carrageenan? Since thickening agents come in different types and qualities, the correct proportions may vary by product. λ-Carrageenan dissolves easily in warm or hot water. For example, add 4-5 grams of λ-Carrageenan to 1 liter of water and stir thoroughly until completely dissolved. Letting the mixture rest for a few hours enhances its solubility. This thickener ensures a homogeneous viscosity for marbling water, helping the colors spread more evenly. Marbling water prepared with λ-Carrageenan should be stored in a cool, dark place to prolong its usability. Order & Delivery Lambda Carrageenan remains fresh for a long time if protected from air and moisture. Your order can be delivered to your address within a few days. For the best quality and reliable use, it is recommended to store it under proper conditions.

Seaweed Extract (λ-Carrageenan) – Natural Thickener for Marbling Art Lambda Carrageenan (λ-Carrageenan) is one of the best thickening agents used in marbling (Ebru) art. It does not form a gel and dissolves quickly in both cold and hot water, making it easy to use. Since it does not require heating, it is commonly preferred in instant (ready-to-use) products. When cooled, it does not form helix structures, ensuring a homogeneous consistency. The Importance of Lambda Carrageenan in Marbling Art Thickening agents, such as seaweed extracts or powdered carrageenan, are used in marbling art to increase the viscosity of water. When mixed with water, λ-Carrageenan creates an ideal consistency in the marbling tray, preventing the colors from sinking. This property allows the colors to move freely on the surface, making it easier for artists to shape patterns. Lambda Carrageenan is one of the best thickeners for preparing marbling water and is preferred by professionals. This natural thickener, derived from brown seaweed found in the depths of the ocean, keeps the water clear and enhances the vibrancy of colors. Carrageenan can be stored for up to 30 days under normal temperature and humidity conditions. Lambda Carrageenan Packaging Options Available in different package sizes to meet your needs: 50 g Lambda Carrageenan: Suitable for small-scale and personal projects. 100 g Lambda Carrageenan: Ideal for medium-sized marbling works. 250 g Lambda Carrageenan: Recommended for artists who work with marbling regularly. 500 g Lambda Carrageenan: Suitable for workshops and large-scale production. How to Use Lambda Carrageenan? Since thickening agents come in different types and qualities, the correct proportions may vary by product. λ-Carrageenan dissolves easily in warm or hot water. For example, add 4-5 grams of λ-Carrageenan to 1 liter of water and stir thoroughly until completely dissolved. Letting the mixture rest for a few hours enhances its solubility. This thickener ensures a homogeneous viscosity for marbling water, helping the colors spread more evenly. Marbling water prepared with λ-Carrageenan should be stored in a cool, dark place to prolong its usability. Order & Delivery Lambda Carrageenan remains fresh for a long time if protected from air and moisture. Your order can be delivered to your address within a few days. For the best quality and reliable use, it is recommended to store it under proper conditions.

Seaweed Extract (λ-Carrageenan) – Natural Thickener for Marbling Art Lambda Carrageenan (λ-Carrageenan) is one of the best thickening agents used in marbling (Ebru) art. It does not form a gel and dissolves quickly in both cold and hot water, making it easy to use. Since it does not require heating, it is commonly preferred in instant (ready-to-use) products. When cooled, it does not form helix structures, ensuring a homogeneous consistency. The Importance of Lambda Carrageenan in Marbling Art Thickening agents, such as seaweed extracts or powdered carrageenan, are used in marbling art to increase the viscosity of water. When mixed with water, λ-Carrageenan creates an ideal consistency in the marbling tray, preventing the colors from sinking. This property allows the colors to move freely on the surface, making it easier for artists to shape patterns. Lambda Carrageenan is one of the best thickeners for preparing marbling water and is preferred by professionals. This natural thickener, derived from brown seaweed found in the depths of the ocean, keeps the water clear and enhances the vibrancy of colors. Carrageenan can be stored for up to 30 days under normal temperature and humidity conditions. Lambda Carrageenan Packaging Options Available in different package sizes to meet your needs: 100 g Lambda Carrageenan: Ideal for medium-sized marbling works. 250 g Lambda Carrageenan: Recommended for artists who work with marbling regularly. 500 g Lambda Carrageenan: Suitable for workshops and large-scale production. How to Use Lambda Carrageenan? Since thickening agents come in different types and qualities, the correct proportions may vary by product. λ-Carrageenan dissolves easily in warm or hot water. For example, add 4-5 grams of λ-Carrageenan to 1 liter of water and stir thoroughly until completely dissolved. Letting the mixture rest for a few hours enhances its solubility. This thickener ensures a homogeneous viscosity for marbling water, helping the colors spread more evenly. Marbling water prepared with λ-Carrageenan should be stored in a cool, dark place to prolong its usability. Order & Delivery Lambda Carrageenan remains fresh for a long time if protected from air and moisture. Your order can be delivered to your address within a few days. For the best quality and reliable use, it is recommended to store it under proper conditions.

Lambda Carragen: Ideal Thickener for Marbling Lambda Carragen (λ-Carrageen) does not form a gel structure and dissolves perfectly in hot and cold liquids. This property makes it ideal for products requiring immediate use. Applications Thickeners: Increases the viscosity of liquids for a more stable consistency. Ebru Art: Used in Ebru and other water-based art techniques. Artistic Applications: Facilitates better control of colors on the liquid surface. Natural Source: Derived from brown seaweed and environmentally friendly. Advantages Durability: Resistant to temperature and humidity fluctuations. Natural & Sustainable: Eco-friendly and biodegradable. Versatile Use: Preferred in the food, art, and industrial sectors. Order & Delivery Lambda Carragen is delivered to your doorstep within a few days.

Ox Gall in Ebru Art Ebru art is a traditional decoration technique where colors are sprinkled on water and shaped using special techniques. One of the most important materials in this art is ox gall. It is a natural additive that prevents Ebru colors from mixing and instead allows them to form unique patterns on the water’s surface. The Role of Ox Gall in Ebru Art Ox gall regulates the consistency and flow of the colors, helping artists create their desired patterns on the water surface. Ebru paints contain natural pigments and are mostly water-based. To ensure that the colors spread evenly, a special liquid is required – this is where ox gall comes into play. It reduces surface tension and facilitates the spreading of colors. Additionally, it allows layering of colors to create complex patterns. How Is Ox Gall Obtained? Ox gall is derived from the gallbladders of cattle, traditionally purified and prepared for use in Ebru art. Before use, it is fermented to enhance its effectiveness. Usage of Ox Gall In Ebru art, ox gall is added to each color individually. The dosage varies depending on the color and the desired effect. Conclusion Ox gall is an essential component of Ebru art, enabling controlled movement of colors on the water’s surface.

Bovine Gall Used in Ebru Art Ebru art is a traditional decorative technique in which paints are sprinkled onto water and shaped using special techniques. One of the most important materials in this art is bovine gall. Bovine gall is a natural additive that allows Ebru paints to spread on the water’s surface without mixing and forming distinct patterns. The Role of Bovine Gall in Ebru Art Bovine gall regulates the consistency and fluidity of Ebru paints, helping the artist create desired patterns on the water surface. Ebru paints contain natural pigments and are usually water-based. However, a special liquid is needed to ensure these paints spread evenly on the surface. This is where bovine gall comes into play. Bovine gall reduces surface tension, making it easier for the paints to expand. It also allows different colors to layer and form desired patterns. How is Bovine Gall Obtained? Bovine gall is a natural liquid extracted from the gallbladders of cattle. It is purified using traditional methods and made suitable for Ebru art. Before use, it is fermented for a certain period to enhance its effectiveness. Usage of Bovine Gall In Ebru art, bovine gall is usually added separately to each paint color. The ratio varies depending on the type of paint and the desired effect. Overuse can cause excessive spreading of the paint. Conclusion Bovine gall is one of the indispensable components of Ebru art and plays a crucial role in traditional Ebru techniques. Being a natural substance, it adds an organic touch to the art and allows paints to move more controllably on the water surface.

Bovine Gall Used in Ebru Art Ebru art is a traditional decorative technique in which paints are sprinkled onto water and shaped using special techniques. One of the most important materials in this art is bovine gall. Bovine gall is a natural additive that allows Ebru paints to spread on the water’s surface without mixing and forming distinct patterns. The Role of Bovine Gall in Ebru Art Bovine gall regulates the consistency and fluidity of Ebru paints, helping the artist create desired patterns on the water surface. Ebru paints contain natural pigments and are usually water-based. However, a special liquid is needed to ensure these paints spread evenly on the surface. This is where bovine gall comes into play. Bovine gall reduces surface tension, making it easier for the paints to expand. It also allows different colors to layer and form desired patterns. How is Bovine Gall Obtained? Bovine gall is a natural liquid extracted from the gallbladders of cattle. It is purified using traditional methods and made suitable for Ebru art. Before use, it is fermented for a certain period to enhance its effectiveness. Usage of Bovine Gall In Ebru art, bovine gall is usually added separately to each paint color. The ratio varies depending on the type of paint and the desired effect. Overuse can cause excessive spreading of the paint. Conclusion Bovine gall is one of the indispensable components of Ebru art and plays a crucial role in traditional Ebru techniques. Being a natural substance, it adds an organic touch to the art and allows paints to move more controllably on the water surface.

Ox Gall in Ebru Art Ebru art is a traditional decoration technique where colors are sprinkled on water and shaped using special techniques. One of the most important materials in this art is ox gall. It is a natural additive that prevents Ebru colors from mixing and instead allows them to form unique patterns on the water’s surface. The Role of Ox Gall in Ebru Art Ox gall regulates the consistency and flow of the colors, helping artists create their desired patterns on the water surface. Ebru paints contain natural pigments and are mostly water-based. To ensure that the colors spread evenly, a special liquid is required – this is where ox gall comes into play. It reduces surface tension and facilitates the spreading of colors. Additionally, it allows layering of colors to create complex patterns. How Is Ox Gall Obtained? Ox gall is derived from the gallbladders of cattle, traditionally purified and prepared for use in Ebru art. Before use, it is fermented to enhance its effectiveness. Usage of Ox Gall In Ebru art, ox gall is added to each color individually. The dosage varies depending on the color and the desired effect. Conclusion Ox gall is an essential component of Ebru art, enabling controlled movement of colors on the water’s surface.

Paint Jars Paint jars used in the art of Ebru should be glass containers with tightly sealed lids. Glass material preserves the quality of the paints and minimizes air contact. However, storage conditions are also crucial. In low humidity environments, jars can remain open for a long time, whereas in high humidity regions, especially in countries like Germany, paints may begin to mold if jars are left open. Additionally, paint jars must be clean and hygienic. Dirty jars or those containing residues of different paints can alter the chemical composition of new paints. Therefore, it is recommended to clean the jars thoroughly after each use. The size of the jars is also important in terms of usability. Very small jars may tip over when a brush is dipped in, causing mess, while in very large jars, the paint may develop an unpleasant odor and deteriorate in consistency over time. For this reason, we have determined the ideal jar sizes. These jars, which increase work efficiency and provide practical use, are available in 50 ml, 105 ml, and 205 ml capacities. These sizes are the most suitable for both professionals and beginners. By using glass jars, you can safely store your paints for an extended period. Recommended Jar Sizes: 50 ml: Ideal for small projects or floral paints. 105 ml: Perfect for medium-scale works. 205 ml: Best suited for large projects and long-term use.

Paint Jars Paint jars used in the art of Ebru should be glass containers with tightly sealed lids. Glass material preserves the quality of the paints and minimizes air contact. However, storage conditions are also crucial. In low humidity environments, jars can remain open for a long time, whereas in high humidity regions, especially in countries like Germany, paints may begin to mold if jars are left open. Additionally, paint jars must be clean and hygienic. Dirty jars or those containing residues of different paints can alter the chemical composition of new paints. Therefore, it is recommended to clean the jars thoroughly after each use. The size of the jars is also important in terms of usability. Very small jars may tip over when a brush is dipped in, causing mess, while in very large jars, the paint may develop an unpleasant odor and deteriorate in consistency over time. For this reason, we have determined the ideal jar sizes. These jars, which increase work efficiency and provide practical use, are available in 50 ml, 105 ml, and 205 ml capacities. These sizes are the most suitable for both professionals and beginners. By using glass jars, you can safely store your paints for an extended period. Recommended Jar Sizes: 50 ml: Ideal for small projects or floral paints. 105 ml: Perfect for medium-scale works. 205 ml: Best suited for large projects and long-term use.

Paint Jars Paint jars used in the art of Ebru should be glass containers with tightly sealed lids. Glass material preserves the quality of the paints and minimizes air contact. However, storage conditions are also crucial. In low humidity environments, jars can remain open for a long time, whereas in high humidity regions, especially in countries like Germany, paints may begin to mold if jars are left open. Additionally, paint jars must be clean and hygienic. Dirty jars or those containing residues of different paints can alter the chemical composition of new paints. Therefore, it is recommended to clean the jars thoroughly after each use. The size of the jars is also important in terms of usability. Very small jars may tip over when a brush is dipped in, causing mess, while in very large jars, the paint may develop an unpleasant odor and deteriorate in consistency over time. For this reason, we have determined the ideal jar sizes. These jars, which increase work efficiency and provide practical use, are available in 50 ml, 105 ml, and 205 ml capacities. These sizes are the most suitable for both professionals and beginners. By using glass jars, you can safely store your paints for an extended period. Recommended Jar Sizes: 50 ml: Ideal for small projects or floral paints. 105 ml: Perfect for medium-scale works. 205 ml: Best suited for large projects and long-term use.

Thickening Agents Thickening agents prevent colors in the art of Ebru from sinking to the bottom of the water and ensure that the colors spread on the water’s surface. These substances increase the viscosity of the water in the Ebru tray, allowing the colors to adhere easily to the paper. Thickening agents are divided into two categories: natural and artificial. Natural and Artificial Thickening Agents Natural thickening agents are derived from Astragalus roots or Irish moss (Carrageenan) and are used in powder form. Since preparing sheet tragacanth is labor-intensive, natural substances such as seaweed and powdered tragacanth are more commonly preferred. Carrageenan produces successful results in the art of Ebru and positively affects the appearance of colors. Synthetic thickening agents are also used, and some artists use materials such as wallpaper paste. However, this method may cause colors to lose their vibrancy and lead to cracks in the patterns. How to Prepare Thickening Agent (Powdered Tragacanth)? Since there are different types and qualities of thickening agents, the correct measurements may vary depending on the product. It is generally prepared by mixing it with warm or hot water. For example, 4-5 grams of thickening agent should be added to 1 liter of water and stirred thoroughly until fully dissolved. Allowing the mixture to rest for a few hours improves its dissolution. The prepared thickening solution should be stored in a cool, dark place to prolong its usability. Ready-to-Use Liquid Thickening Agents To simplify the preparation process, concentrated liquid thickening agents are also available. These products are diluted with water before use. The recommended dilution ratios are indicated on the product labels. 500 ml Concentrated Liquid Thickening Agent: Suitable for small-scale work. It is diluted with a specific amount of water before use. This amount corresponds to 2 liters of standard Ebru water. 1 L Concentrated Liquid Thickening Agent: Preferred for medium-scale Ebru work. This product is designed to be diluted with 2-4 liters of water. Exact proportions are provided on the product label. 5 L Concentrated Liquid Thickening Agent: Ideal for workshops and large-scale production. It can be mixed with a larger amount of water for extended use. It corresponds to approximately 10-20 liters of Ebru water. Liquid thickening agents should be thoroughly mixed with water until a homogeneous consistency is achieved and allowed to rest for a few hours. The mixture should be stored in a cool, dark place for long-term usability.

Thickening Agents Thickening agents prevent colors in the art of Ebru from sinking to the bottom of the water and ensure that the colors spread on the water’s surface. These substances increase the viscosity of the water in the Ebru tray, allowing the colors to adhere easily to the paper. Thickening agents are divided into two categories: natural and artificial. Natural and Artificial Thickening Agents Natural thickening agents are derived from Astragalus roots or Irish moss (Carrageenan) and are used in powder form. Since preparing sheet tragacanth is labor-intensive, natural substances such as seaweed and powdered tragacanth are more commonly preferred. Carrageenan produces successful results in the art of Ebru and positively affects the appearance of colors. Synthetic thickening agents are also used, and some artists use materials such as wallpaper paste. However, this method may cause colors to lose their vibrancy and lead to cracks in the patterns. How to Prepare Thickening Agent (Powdered Tragacanth)? Since there are different types and qualities of thickening agents, the correct measurements may vary depending on the product. It is generally prepared by mixing it with warm or hot water. For example, 4-5 grams of thickening agent should be added to 1 liter of water and stirred thoroughly until fully dissolved. Allowing the mixture to rest for a few hours improves its dissolution. The prepared thickening solution should be stored in a cool, dark place to prolong its usability. Ready-to-Use Liquid Thickening Agents To simplify the preparation process, concentrated liquid thickening agents are also available. These products are diluted with water before use. The recommended dilution ratios are indicated on the product labels. 500 ml Concentrated Liquid Thickening Agent: Suitable for small-scale work. It is diluted with a specific amount of water before use. This amount corresponds to 2 liters of standard Ebru water. 1 L Concentrated Liquid Thickening Agent: Preferred for medium-scale Ebru work. This product is designed to be diluted with 2-4 liters of water. Exact proportions are provided on the product label. 5 L Concentrated Liquid Thickening Agent: Ideal for workshops and large-scale production. It can be mixed with a larger amount of water for extended use. It corresponds to approximately 10-20 liters of Ebru water. Liquid thickening agents should be thoroughly mixed with water until a homogeneous consistency is achieved and allowed to rest for a few hours. The mixture should be stored in a cool, dark place for long-term usability.

Thickening Agents Thickening agents prevent colors in the art of Ebru from sinking to the bottom of the water and ensure that the colors spread on the water’s surface. These substances increase the viscosity of the water in the Ebru tray, allowing the colors to adhere easily to the paper. Thickening agents are divided into two categories: natural and artificial. Natural and Artificial Thickening Agents Natural thickening agents are derived from Astragalus roots or Irish moss (Carrageenan) and are used in powder form. Since preparing sheet tragacanth is labor-intensive, natural substances such as seaweed and powdered tragacanth are more commonly preferred. Carrageenan produces successful results in the art of Ebru and positively affects the appearance of colors. Synthetic thickening agents are also used, and some artists use materials such as wallpaper paste. However, this method may cause colors to lose their vibrancy and lead to cracks in the patterns. How to Prepare Thickening Agent (Powdered Tragacanth)? Since there are different types and qualities of thickening agents, the correct measurements may vary depending on the product. It is generally prepared by mixing it with warm or hot water. For example, 4-5 grams of thickening agent should be added to 1 liter of water and stirred thoroughly until fully dissolved. Allowing the mixture to rest for a few hours improves its dissolution. The prepared thickening solution should be stored in a cool, dark place to prolong its usability. Ready-to-Use Liquid Thickening Agents To simplify the preparation process, concentrated liquid thickening agents are also available. These products are diluted with water before use. The recommended dilution ratios are indicated on the product labels. 500 ml Concentrated Liquid Thickening Agent: Suitable for small-scale work. It is diluted with a specific amount of water before use. This amount corresponds to 2 liters of standard Ebru water. 1 L Concentrated Liquid Thickening Agent: Preferred for medium-scale Ebru work. This product is designed to be diluted with 2-4 liters of water. Exact proportions are provided on the product label. 5 L Concentrated Liquid Thickening Agent: Ideal for workshops and large-scale production. It can be mixed with a larger amount of water for extended use. It corresponds to approximately 10-20 liters of Ebru water. Liquid thickening agents should be thoroughly mixed with water until a homogeneous consistency is achieved and allowed to rest for a few hours. The mixture should be stored in a cool, dark place for long-term usability.

Marbling Awl for Floral Patterns Marbling sticks and awls are metal rods attached to a wooden handle, with varying tip thicknesses. After dropping the colors onto the surface, the needle is lightly dipped into the color and moved like a pen to create patterns. Our handmade floral awls make it easier to draw flower designs. They are used to create different flowers and allow the formation of various petal counts. The awl is dipped into the appropriate color and placed into the water. Then, a regular awl is used to close the "colorless gap" in the center. Finally, the desired color is applied to the center, completing the flower. This process can save up to 100 individual steps. The thickness of the needle and the arrangement of the needles may vary depending on the awl. Below, you can see examples created with 4-needle and 5-needle awls: We dip the awl into the color and then into the design. We fill the empty space in the center. We fill the center of the flower with the desired color.

Marbling Awl for Floral Patterns Marbling sticks and awls are metal rods attached to a wooden handle, with varying tip thicknesses. After dropping the colors onto the surface, the needle is lightly dipped into the color and moved like a pen to create patterns. Our handmade floral awls make it easier to draw flower designs. They are used to create different flowers and allow the formation of various petal counts. The awl is dipped into the appropriate color and placed into the water. Then, a regular awl is used to close the "colorless gap" in the center. Finally, the desired color is applied to the center, completing the flower. This process can save up to 100 individual steps. The thickness of the needle and the arrangement of the needles may vary depending on the awl. Below, you can see examples created with 4-needle and 5-needle awls: We dip the awl into the color and then into the design. We fill the empty space in the center. We fill the center of the flower with the desired color.

Marbling Awl for Floral Patterns Marbling sticks and awls are metal rods attached to a wooden handle, with varying tip thicknesses. After dropping the colors onto the surface, the needle is lightly dipped into the color and moved like a pen to create patterns. Our handmade floral awls make it easier to draw flower designs. They are used to create different flowers and allow the formation of various petal counts. The awl is dipped into the appropriate color and placed into the water. Then, a regular awl is used to close the "colorless gap" in the center. Finally, the desired color is applied to the center, completing the flower. This process can save up to 100 individual steps. The thickness of the needle and the arrangement of the needles may vary depending on the awl. Below, you can see examples created with 4-needle and 5-needle awls: We dip the awl into the color and then into the design. We fill the empty space in the center. We fill the center of the flower with the desired color.

Marbling Awl for Floral Patterns Marbling sticks and awls are metal rods attached to a wooden handle, with varying tip thicknesses. After dropping the colors onto the surface, the needle is lightly dipped into the color and moved like a pen to create patterns. Our handmade floral awls make it easier to draw flower designs. They are used to create different flowers and allow the formation of various petal counts. The awl is dipped into the appropriate color and placed into the water. Then, a regular awl is used to close the "colorless gap" in the center. Finally, the desired color is applied to the center, completing the flower. This process can save up to 100 individual steps. The thickness of the needle and the arrangement of the needles may vary depending on the awl. Below, you can see examples created with 4-needle and 5-needle awls: We dip the awl into the color and then into the design. We fill the empty space in the center. We fill the center of the flower with the desired color.